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| Diagrams |
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| Eisenman's interpretation of Libeskind's form; a challenge for the Cartesian space and a disorientation of the Cartesian coordinates, X,Y and Z. The museum's form directly correlates to Libeskind's former worker of art, the Line of Fire. |
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| Libeskind's own interpretation of the museum as a depiction of the journey of the Jewish people in the German history. |
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